During a period spent in Cuba in 2006, combining travel and work, I began observing everyday life on the streets. Rather than searching for iconic views or exotic imagery, this project focuses on ordinary moments: gestures, encounters, pauses and shared spaces.

The camera is used as a tool for proximity rather than distance. People, architecture, animals and urban fragments coexist within the same visual field, revealing a street life characterised by resilience, intimacy and a collective presence. Public spaces function as an extension of private life — places where work, play, waiting and social bonds unfold naturally.

Rather than describing Cuba, this series offers a personal point of view: a quiet observation of daily life as it happens, without staging or narrative imposition. The images encourage viewers to slow down and immerse themselves in the scene, allowing small details and human connections to emerge naturally.